CAT: (skeptical) Uh-huh. And how exactly do you plan on doing that?
As Elphaba and Little Sally navigate the complexities of Urine Town, they encounter a cast of colorful characters, including the charismatic and cunning Lockstock.
However, progressive colleges adore it precisely because the script is a direct adaptation of The Threepenny Opera (Brecht/Weill) and The Crying of Lot 49 (Pynchon). It is a script that requires a dramaturg to explain the water crisis of the 1920s. urinetown the musical script
LEON: I've got a plan. We're gonna build a business that's gonna revolutionize the way people go to the bathroom.
This script is a phenomenal resource for several reasons. For a director or choreographer, it provides a detailed blueprint of a Tony Award-winning production. For a performer, it captures the tone and pacing of the original performances. For a student or fan, reading the script is the next best thing to seeing the show. As one fan on Goodreads raved, the script is "absolutely phenomenal" and contains "ingenious music and lyrics and dialogue". CAT: (skeptical) Uh-huh
| Song Title | Act | | :--- | :--- | | Urinetown | Act I | | It's a Privilege to Pee | Act I | | Mr. Cladwell | Act I | | Cop Song | Act I | | Follow Your Heart | Act I | | Look at the Sky | Act I | | Don't Be the Bunny | Act I | | Act One Finale | Act I | | What Is Urinetown? | Act II | | Snuff That Girl | Act II | | Run, Freedom, Run | Act II |
The plot follows Bobby Strong, an assistant custodian at the poorest, filthiest public amenity in town, who eventually leads a peasant rebellion against the evil megacorporation, Urine Good Company, run by the ruthless Caldwell B. Cladwell. Along the way, there’s a forbidden romance with Cladwell’s naive daughter, Hope, a corrupt police force led by Officer Lockstock, and a narrator who constantly breaks the fourth wall. However, progressive colleges adore it precisely because the
After its successful off-Broadway run, the musical opened on Broadway at Henry Miller's Theatre on September 20, 2001, a time when New York was still reeling from the 9/11 attacks. The show’s dark humor and themes of societal collapse strangely resonated with audiences, leading to a successful run of 25 previews and 965 performances before closing in January 2004.