The Intern is owned by Warner Bros. Pictures. As of 2025, the film is widely available on:
Upon its release on September 25, 2015, the film received a generally positive reception from critics and audiences. While some critics noted the film's predictable plot, they praised the performances of the leads for their charm and chemistry. Viewers gave the film a CinemaScore of "A-," and it was a commercial success, grossing $194.7 million worldwide against a budget of just $35 million. The film was also praised for its thoughtful and humorous approach to bridging the generation gap, as discussed in the DVD's special features "Learning from Experience".
The Intern stands out in the romantic-comedy and workplace-drama genres because it subverts traditional Hollywood tropes. Instead of pitting generations against each other, the narrative celebrates mentorship, mutual respect, and emotional intelligence. The Dynamics of Ben and Jules index of the intern 2015
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An analysis of in the film Behind-the-scenes trivia and casting secrets Let me know how you would like to expand your search! Share public link The Intern is owned by Warner Bros
Anne Hathaway’s Jules represents the modern working mother balancing intense corporate growth with personal relationship strains.
When a user types into Google or Bing, they generally fall into one of three categories: While some critics noted the film's predictable plot,
The film received mixed to positive reviews. Critics praised the chemistry between the leads and its heartwarming tone, though some found the plot somewhat formulaic . Remakes
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If you were to build an index for Nancy Meyers’ 2015 film The Intern , you would not list "chase scene," "explosion," or "plot twist." Instead, the index would read like a curated glossary of quiet anxieties: Aging, Obsolescence, Guilt, The Inbox, The Wooden Desk, The Handkerchief . On its surface, the film is a gentle comedy about a 70-year-old widower, Ben Whittaker (Robert De Niro), becoming a senior intern at a fast-paced e-commerce startup. But beneath the beige cashmere sweaters and perfectly lit Brooklyn warehouses lies a fascinating tension—an index of two opposing operating systems for modern life.
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